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Amadan Aisling: The Fool's Dream

by Amadan Aisling

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1.
And who are you, me pretty fair maid And who are you, me honey? She answered me quite modestly: I am me mammy’s darling. With me too-rye-ay fiddle-dairie-day do-rah-day fiddle-dairie oh. And will you come to me mother’s house, When the moon is shining clearly I’ll open the door and I’ll let you in And devil the one would hear us. With me too-rye-ay fiddle-dairie-day do-rah-day fiddle-dairie oh. So I went to her house in the middle of the night When the moon was shining clearly She opened the door and she let me in And devil the one did hear With me too-rye-ay fiddle-dairie-day do-rah-day fiddle-dairie oh. Then she took me by the lily-white hand And she led me to the table Saying: There’s plenty of wine for a soldier boy, To drink it if you’re able. With me too-rye-ay fiddle-dairie-day do-rah-day fiddle-dairie oh. Then I got up and made the bed And I made it nice and easy Then I got up and laid her down Saying: Lassie, are you able? With me too-rye-ay fiddle-dairie-day do-rah-day fiddle-dairie oh. And there we lay till the break of day And devil the one did hear us Then I arose and put on me clothes Saying: Lassie, I must leave you. With me too-rye-ay fiddle-dairie-day do-rah-day fiddle-dairie oh. And when will you return again And when will we get married When broken shells make Christmas bells We might well get married. With me too-rye-ay fiddle-dairie-day do-rah-day fiddle-dairie oh.
2.
There was a little ship and she sailed upon the sea And the name of that ship was the Turkish Reveille Oh she sailed out on that lonely lonesome water Oh she sailed out on that lonesome sea Up stepped a little sailor saying ‘What will you give to me? If I sink that ship in the bottom of the sea?’ Oh I’ll sink her in that lonely lonesome water Oh I’ll sink her that lonesome sea Oh I have a little house and I have little land And I have a little daughter that shall be at your command If you’ll sink her in that lonely lonesome water If you’ll sink her in that lonesome sea So he’s bowed on his breast and away swum he, He swum ‘til he came to the Turkish Reveille As he sailed out on that lonely lonesome water As he sailed out on that lonesome sea He had a little awl all made for the bore And he bored nine holes in the bottom of the floor Oh he sunk her in that lonely lonesome water Oh he sunk her in that lonesome sea Saying ‘Captain oh captain, will you be as good as your word? Or either will you take me up on board?’ For I’ve sunk her in that lonely lonesome water For I’ve sunk her in that lonesome sea No I shall not be as good as my word Or neither will I take you up on board’ Though you’ve sunk her in that lonely lonesome water Though you’ve sunk her in that lonesom
3.
Son Oh Son 03:21
Out in the kitchen, down in the hall Ah, my lee and lonely Willie’s the father of his sister’s child Down by the greenwood side Took her down to the merry wood Ah, my lee and lonely And there he shot his sister dead Down by the greenwood side He went back to his mother’s home Ah, my lee and lonely Welcome to you my son, my son. Down by the greenwood side Son, oh son, why are you so pale? Ah, my lee and lonely Been down in the greenwood hunting quail. Down by the greenwood side There’s no quail away down there. Ah, my lee and lonely Been down there shooting the white-tailed deer. Down by the greenwood side No pistol kills a deer, Ah, my lee and lonely Willie, where’s your sister, where? Down by the greenwood side Mother, oh mother, make my bed, Ah, my lee and lonely For I have shot my sister dead. Down by the greenwood side Son, oh son, where will you go? Ah, my lee and lonely For your father will kill you when he comes to know. Down by the greenwood side He’ll bury you under yon hill, Ah, my lee and lonely And if he doesn’t kill you, I surely will! Down by the greenwood side
4.
5.
A gentleman was passing by, he asked a drink as it got dry, At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o. She said ‘My cup it overflows, if I stoop down I might fall in At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o. If your true love was passing by, you’d fill him a drink if he got dry At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o. She swore by grass, she swore by corn, that her true love was never born At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o. I say, young maid, you’re swearing wrong, for five fine children you had born At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o. There was two of them by your uncle Dan, another two by your brother John At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o. There was two buried by the stable door, another two ‘neath the kitchen floor At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o. If you’re a man of noble fame, you’ll tell me what did happen to them At the well bellow the valley-o, Green grows the lily-o, right among the bushes-o
6.
Where have you been all the long summer’s day? Son, come tell it unto me. I’ve been hunting and fowling all the long whole day And it’s mama pardon me, and it’s mama pardon me. And what put the blood on your right shoulder? Son, come tell it unto me. That is the blood of the hare I caught, That I killed most manfully. The blood of the hare now could never be so red. Son, come tell it unto me. That is the blood of my youngest brother, That I killed most brutally. What came between you and your brother? Son, come tell it unto me. It was mostly about the cutting of a rod, That will never grow into a tree. Then what will you do when your father comes home? Son, come tell it unto me. I will put my foot on board of a ship, And I’ll sail for a foreign country. Then what will become of your own dear wife? Son, come tell it unto me. I will leave her there in her grief and despair, And she’ll see no more of me.
7.
8.
The trees they are tall and the leaves they are green, Many a time my true love I’ve seen Many an hour I have passed all alone My bonnie lad’s a long time a-growing. Oh father, dear father, you’ve done me great wrong, You’ve married me to a boy that’s too young, I am twice twelve and he is but fourteen, He’s young but he’s daily growing. Oh daughter, dear daughter, I’ve done you no wrong, I’ve married you to a rich lord’s son, He will make a lord for you to wait upon, He’s young but he’s daily growing. Oh father, dear father, and if you see fit, We’ll send him to college for one year yet, I’ll bind a blue ribbon all about his hat, To let the maids know he is married. One day as I looked o’er my fathers wall, There were all the boys, a-playing with their ball My own true love was the flower of them all, He’s young but he’s daily growing. So early in the morning at the dawning of the day, They went out to the hayfield to have some sport and play, And what they did there, she never would declare, But she never more complained of his growing. At the age of fourteen he was a married man, At the age of fifteen, the father to a son, At the age of sixteen, his grave it was green, And death put an end to his growing.
9.
In the village of Kildori, there’s a maiden young and fair Her eyes they shone like diamonds, she had lovely golden hair When the countryman came riding up to her father’s gate Mounted on his milk white stallion, he came on at the stroke of eight Step it out Mary, my fine daughter Mary, if you can Step it out Mary, my fine daughter Show your legs to the wealthy man I’ve come to court your daughter, Mary of the golden hair I’ve land and I have money, I have goods beyond compare I’ll buy her silk and satin, and a gold ring for her hand I’ll build for her a mansion, she’ll have servants to command. But sir, I love a soldier, I’ve pledged to him my hand Don’t want your goods nor money, don’t want no house nor land. But her father spoke up sharply, you’ll do as you are told Be married on a Sunday and you’ll wear this ring of gold. In the village of Kildori, there’s a deep stream running by Found Mary there at midnight, she drowned with the soldier boy In the cottage there was music, you’d hear her father say, Step it out Mary, my fine daughter, you know it’s your wedding day.
10.
When will we be married Molly? When will we be wed? When will we be bedded in the same bed? When will we be married Molly? When will we be wed? When will we be bedded in the same bed? You have your eye on Jimmy, Long Jimmy Lee You have your eye on Jimmy And a fine man he. You have your eye on Jimmy But you’d better let him be Because when you go, Molly-o You’ll be gone with me. When will we be married Molly? When will we be wed? When will we be bedded in the same bed? When will we be married Molly? When will we be wed? When will we be bedded in the same bed? You have your eye on Johnny Thin Johnny Fee You have your eye on Johnny And a fine man he You have your eye on Johnny But you’d better let him be Because when you go, Molly-o You’ll be gone with me When will we be married Molly? When will we be wed? When will we be bedded in the same bed? When will we be married Molly? When will we be wed? When will we be bedded in the same bed? Hear the bells ring, I hear what you said Stumbled back home, to my lonely bed Talk to the wind, marry her instead I’ll have me a drop and drown me head
11.
A blacksmith courted me Nine months and better He fairly won my heart Wrote me this letter With his hammer in his hand He looked so very clever And if I was with my love I’d live forever. But where is my love gone With his cheeks like two roses And his good black billycock on Decked round with primroses I’m afraid the scorching sun Will shine and burn his beauty And if I was with my love I’d do my duty. Strange news is come to town Strange news is carried Strange news flies up and down That my love is married. And I wish them both much joy Though they can’t even hear me And may God reward them well For the slighting of me. Oh what did you promise me When you lay down beside me You said you’d marry me And not deny me Her lips grew pale and wan It made a poor heart tremble To think she loved a one And he proved deceitful.
12.
Yes, the newspapers were right: snow was general all over Ireland. It was falling softly upon the Bog of Allen and, further westwards, softly falling into the dark mutinous Shannon waves. It was falling too upon every part of the lonely churchyard where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.
13.
Lady Margaret, sitting at her high hall door, Combing back her long, yellow hair, She saw Sweet William and his new-made bride Riding from the church so near. She throwed down her ivory comb, Throwed back her long yellow hair, Saying, I’ll go down and bid him farewell, And nevermore go there. It was all in the dark of night When most were fast asleep, Little Margaret appeared all dressed in white, A-standing at their bed-feet. How do you like your pillow, says she How do you like your sheet? How do you like that gay young lady That’s lying in your arms asleep? Very well do I like my pillow, says he Much better do I like my sheet, But best of all is that fair young maid That’s standing at my bed-feet. So he called his serving man to go And saddle the dapple roan, And he rode till he come to Lady Margaret’s house, And stood outside alone. Is Lady Margaret in her room, Or is she in the hall? No, Little Margaret’s in her coal-black coffin, With her pale face to the wall.

about

This album in a sense marks a break in time. There are events in life of course when time seems to stand still, moments of great joy or tragic folly. But there is also on occasion a moment when the fabric of time—the mundane march of minutes, hours, days—seems to tear apart, and we get a glimpse of something like the eternal.

The name Amadan Aisling came to us as if we were in a dream. It’s appropriate, since the aisling tradition in Ireland is of vision-dream poems of something like emerging beauty. Our name is translated more simply as “Fool’s Dream,” which also seemed right. When we think of ourselves, brothers who found themselves reunited by chance, living close enough finally to collaborate, it seemed like a return to some younger time, days exploring new songs and cultivating calluses on our fingers in Cincinnati, Ohio, where we both grew up. Is re-living such a time folly? Or is it a moment when time stops?

Here’s the thing: we have grown older. We come to this tradition late. When we were young, we were kids of the suburbs, finding our way through the rock and roll landscape of the 1970s, through blues and mountain string band music, through punk and garage bands. A branch of our family came from Ireland, but we discovered this music—its history and beauty--through the Pogues, who made an appearance at the end of a movie about another punk band. There was a tear in the fabric at that moment, a vision of something that existed before us, and that could be revived through by hearing it all anew.

In these recordings, we are working back through these songs toward something like ourselves. It’s a memory of being kids playing cheap guitars in the basement. But it’s also like a “now” memory, or
a memory of what will be in the future. The songs themselves are memories. They’ve been played before, and we have so many forebears: Lankum and the Pogues certainly, but also so many great names from those decades: Planxty and the Chieftains and Boiled in Lead, Michael Rafferty and Matt Molloy and Seamus Egan. When we play these songs of the past, we are in the now, and imagining what others might hear in the years to come. We are a marker in time, living amid many others.

Ann Neff-Rohs | Dave Rohs | Steve Rohs

credits

released July 16, 2022

Ann Neff-Rohs: Bodhran

Steve Rohs: Vocals, Mandolin, Octave Mandolin, Irish Flute, Penny Whistles, Button Accordion

Dave Rohs: Vocals, Six & Twelve String Guitars, Acoustic Bass Guitar, Octave Mandolin, Harmonium, Pump Organ, Bass Drum, Tenor Banjo, Piano

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Amadan Aisling Lansing, Michigan

Amadan Aisling is Gaelic for "Fool's Dream." We are Steve Rohs (Irish flute, mandolins, banjo, accordion, pennywhistle & vocals), Ann Neff-Rohs (bodhran & vocals) & Dave Rohs (guitars, octave mandolin, harmonium, & vocals). Amadan Aisling explores the intersection between Irish music and related sorts of Trans-Atlantic folk music. ... more

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